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Said Fellow edits 'Said on Opera,' to be published by Columbia University Press

Announcements, Fellows, Edward W. Said Fellows

January 21, 2024
Cover of Said on Opera

February/March 2023 Edward W. Said Research Study Award recipient Wouter Capitain edited the forthcoming Said on Opera, Edward Said's posthumous book on the musical genre. The book will be published by Columbia University Press and will come out in February 2024.

The book includes an introduction by Capitain, who situates the book of essays in the context of Said's career, and a foreword by opera director Peter Sellars, who was a friend of Said's when he was initially working on the text in the 1990s and shared his interest in the social relevance of operatic performance.

Order the book here.

Description of the book from Columbia University Press

One of the late twentieth century's most celebrated and influential public intellectuals, Edward W. Said, was also a critic of astonishing range. This book presents his insightful and elegant analyses of four major operas—originally delivered as the Empson Lectures at Cambridge University in 1997—showcasing the power of Said's critical acumen to unsettle canonical interpretations.

In close readings of Mozart's Così fan tutte, Beethoven's Fidelio, Berlioz's Les Troyens, and Wagner's Die Meistersinger von Nürnberg, Said explores how each opera engages with the social and political questions of their own eras—and how they might speak to the present. He pays careful attention to the works' historical context as well as the possibilities they open for contemporary reinterpretations, examining the tension between opera's cultural prestige and its potential for subversion. Said considers the representation of national identity, class, and exoticism, and he shows how cultural and literary studies can enrich understandings of operatic texts and performance. Lucid and gracefully written, Said on Opera enlivens well-known works with fresh insights and demonstrates the breadth of Said's contributions to cultural criticism.

This book features an introduction by the editor, Wouter Capitain, who situates these essays in the context of Said's career, and a foreword by the acclaimed opera director Peter Sellars, who offers a masterful appreciation of Said's achievements.