Skip to main content


Kinaesthetic Communities: The Body, the Archive, and Multicultural America

Thursday Lecture Series

dateSeptember 28, 2017 timeThursday, 12:15pm EDT location The Heyman Center, Second Floor Common Room, Columbia University
  • Audience open exclusively to Columbia faculty, students, and invited guests
  • All others interested in attending, please email SOF/Heyman at [email protected].
B&W photo of man dancing in front of crowd of children

In 1965, the American folklorist Alan Lomax set out on a mission: to view, code, catalogue, and preserve the totality of the world’s dance traditions. Believing that dance carried otherwise inaccessible information about social structures, work practices, and the history of human migration, Lomax and his collaborators gathered more than 250,000 feet of raw film footage and analyzed it using a new system of movement analysis. Lomax’s aims, however, went beyond the merely scientific. He hoped to use his “Choreometrics” project as the foundation for a universally-accessible visual and textual atlas of human movement. This paper explores how Lomax’s archival ambitions supported his efforts to enact a wholesale “recalibration of the human perceptual apparatus” and situates Choreometrics at the nexus of new techniques of data-gathering and the cultural ferment of the 1960s.